Tuesday, December 14, 2021

DAVIN - LEVIN DUO

Colin Davin, Guitar

Emily Levin, Harp

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PROGRAM

Philip Glass

Etude no. 6 (arr. Davin)

 

Florence Price

Three Roses (arr. Davin-Levin)

Claude Debussy

Suite Bergamasque (arr. Levin)

 

Jonathan Cziner

Wanderlust (world premiere)

 

Manuel de Falla

Selections from El Amor Brujo

(arr. Davin-Levin)

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ABOUT THE MUSICIANS

Hailed as “the real thing, a player with a virtuoso’s technique, a deeply expressive musicianship, and a probing imagination” (American Record Guide) who “has the distinct ability to wring the depths of expressiveness from all that he plays” (Classical Guitar Magazine), and for his “precision, musical intelligence and passion” (Cleveland Classical), guitarist Colin Davin has emerged as one of today’s most dynamic artists. 


Recent highlights include concertos with the Wisconsin Chamber Orchestra, Aiken Symphony Orchestra, New Mexico Philharmonic, Lake Placid Sinfonietta, and Champaign-Urbana Symphony Orchestra; collaborations with Sharon Isbin at the 92nd Street Y, Chautauqua Institution, and Baltimore Classical Guitar Society; and performances with violinist Tessa Lark and cellist Edward Arron. In 2015, Colin appeared as a featured musical guest on the final season of The Late Show with David Letterman alongside the late Jessye Norman. He has performed at Carnegie Hall, Alice Tully Hall, the Metropolitan Museum of Art (on historic instruments from the museum's collection), the Alhambra Palace in Granada, the Paris Conservatoire, the Fridge Fringe in Dubai, and venues throughout the United States and Canada. His collaborators include GRAMMY Award winning soprano Estelí Gomez and Dallas Symphony Orchestra principal harpist Emily Levin. He has been a regular guest artist at the Aspen Music Festival, and has four times been a guest teacher at the Afghanistan National Institute of Music in Kabul, Afghanistan.


Colin Davin is co-head of the guitar department at the Cleveland Institute of Music. In demand for his insights in masterclasses and lectures, he has been invited to teach in a guest capacity at institutions including The Juilliard School, Peabody Institute, Oberlin Conservatory, University of Cincinnati College-Conservatory of Music, and the Aspen Music Festival and School. He holds a Master of Music from The Juilliard School, where he studied with Sharon Isbin; a Bachelor of Music from the University of Southern California with William Kanengiser; and underwent preparatory studies at the Cleveland Institute of Music with Jason Vieaux.

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Praised for her “communicative, emotionally intense expression” (Jerusalem Post) and for “playing exquisitely” (Dallas Morning News), Emily Levin is the Principal Harpist with the Dallas Symphony Orchestra and Bronze Medal Winner of the 9th USA International Harp Competition.

Now in her fifth season with the Dallas Symphony Orchestra, Emily has also performed as Guest Principal Harp with the Los Angeles Philharmonic and the Houston Symphony, and regularly appears with the New York Philharmonic. As a soloist, she has performed throughout North America and Europe, in venues including Carnegie Hall (New York), the Kimmel Center (Philadelphia) and Festspiele Mecklenburg-Vorpommern (Rugen, Germany). At the request of Jaap van Zweden, she appeared as soloist with the DSO in 2018, and John Adams invited her to be a Festival Artist at the 2021 Ojai Music Festival, where she appeared as a concerto soloist and gave the world premiere of a new work by Dylan Mattingly.  Other concerto performances include the Jerusalem, Colorado and West Virginia Symphony Orchestras, the Louisiana Philharmonic, and the Lakes Area Music Festival, among others. She is a laureate of Astral Artists. For her debut album, Something Borrowed, the Classical Recording Foundation named her their 2017 Young Artist of the Year.

The 2021-2022 season marks Emily’s launch of GroundWork(s), a project commissioning fifty American composers, one from each state, for harp-centric works. Each piece will premiere in the composer’s hometown, celebrating the communities that first supported them. Current projects include a solo harp piece by Michael Ippolito, and chamber works by Reena Esmail, Aaron Holloway Nahum, Sarah Kirkland Snider, and Jerod Impichchaachaaha Tate.

 

In Dallas, Emily is Artistic Director of Fine Arts Chamber Players, a music series that presents chamber concerts free of charge to the general public. During the pandemic, she spearheaded FACP’s virtual concert series, learning video and audio editing to produce online concerts premieres. She is also harp faculty at Southern Methodist University, where in two years she has grown the harp studio to full capacity.

Emily received her Master of Music degree in 2015 at the Juilliard School under the tutelage of Nancy Allen and she completed undergraduate degrees in Music and History at Indiana University with Susann McDonald. Her honors history thesis discussed the impact of war songs on the French Revolution. Connect with her at www.emilylevinharp.com.