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Monday, March 13, 2023


with MinYoung Kang, Piano

Featuring music by Clara Schumann, Amanda Maier, Amy Beach, Florentine (North American premiere), and a World premiere by Matt Herskowitz (commissioned by Lyric)






With the start of the 2000–01 season, Robert Langevin joined the New York Philharmonic as Principal Flute, in The Lila Acheson Wallace Chair. In May 2001, he made his solo debut with the Orchestra in the North American premiere of Siegfried Matthus’s Concerto for Flute and Harp with Philharmonic Principal Harp Nancy Allen and Music Director Kurt Masur. His October 2012 solo performance in Nielsen’s Flute Concerto, conducted by Music Director Alan Gilbert, was recorded for inclusion in The Nielsen Project, the Orchestra’s multi-season traversal of all of the Danish composer’s symphonies and concertos, to be released by Dacapo Records.

Prior to the Philharmonic, Mr. Langevin held the Jackman Pfouts Principal Flute Chair of the Pittsburgh Symphony Orchestra and was an adjunct professor at Duquesne University, in Pittsburgh. Mr. Langevin served as associate principal of the Montreal Symphony Orchestra for 13 years, playing on more than 30 recordings. As a member of Musica Camerata Montreal and l’Ensemble de la Société de Musique Contemporaine du Québec, he premiered many works, including the Canadian premiere of Pierre Boulez’s Le Marteau sans maître. In addition, Mr. Langevin has performed as soloist with Quebec’s most distinguished ensembles and has recorded many recitals and chamber music programs for the Canadian Broadcasting Corporation. He also served on the faculty of the University of Montreal for nine years.


Born in Sherbrooke, Quebec, Robert Langevin began studying flute at age 12 and joined the local orchestra three years later. While studying with Jean-Paul Major at the Montreal Conservatory of Music, he started working in recording studios, where he accompanied a variety of artists of different styles. He graduated in 1976 with two first prizes, one in flute, the other, in chamber music. Not long after, he won the prestigious Prix d’Europe, a national competition open to all instruments with a first prize of a two-year scholarship to study in Europe. This enabled him to work with Aurèle Nicolet at the Staatliche Hochschule für Musik in Freiburg, Germany, where he graduated in 1979. He then went on to study with Maxence Larrieu, in Geneva, winning second prize at the Budapest International Competition in 1980.

Mr. Langevin is a member of the Philharmonic Quintet of New York with which he has performed concerts on many continents. In addition, he has given recitals and master classes throughout the United States and in countries such as Canada, Spain, Costa Rica, Japan, North Korea, Singapore, and Vietnam. He is currently on the faculties of The Juilliard School, The Manhattan School of Music, and the Orford International Summer Festival. 


Korean-born pianist Min Young Kang enjoys a versatile career as a chamber musician, collaborative pianist, and music director. For the past ten years, Min Young has performed in concerts and recitals throughout the United States, France, and South Korea, at venues that include Weill Recital Hall, Merkin Concert Hall, Château de Fontainebleau, and the Sejong Center M Theater. She has shared the stage with prominent artists including Ani Kavafian, Ettore Causa, Ole Akahoshi, David Geber, Linda Chesis, Nicholas Mann, Alan Kay, and Stephen Taylor.


Min Young will be releasing her first record “The Russian Album” with PENTATONE with Spanish Violist Jesus Rodolfo in Oct 2021.The album includes works for viola and piano by Stravinsky, Rachmaninov, and Prokofiev. Ms. Kang is a Founder/Artistic Director of Kallos Chamber Music Series based in New Haven, CT. With the series, she is cultivating an intimate salon-style chamber music concert experience in the community, creating a real connection between artists and audiences. During its third season 2020-21, Kallos continued creating chamber music concerts in a virtual setting.


A prize winner at both the J.C. Arriaga Chamber Music Competition, Artur Balsam Duo Competition, and Lillian Fuchs Chamber Music Competition, Kang has also been recognized with numerous awards and scholarships, including the Talisman Energy Emerging Artist Award, Kraeuter Musical Foundation Award, Prix special du Directeur and Prix de Musique de chambre from Ecoles D’Art Americaines de Fontainbleau, the Renee and Richard Hawley Scholarship and the Manhattan School of Music’s President’s Award Scholarship.


Min Young has extensive collaborative experience, having worked with musicians of all “stripes” - strings, woodwinds, brass, vocal. She has worked as one of the recommended collaborative pianists for a prestigious international competition such as Naumburg International Competition and Long-thibaud Violin Competition (New York Regional). As a vocal pianist, she has worked with the Center of Contemporary Opera and Manhattan Summer Voice Festival.


In summers past, Min Young served as a Collaborative Piano Fellow at the Music Academy of the West, and as a Vocal Piano Fellow at both SongFest and Aspen Music Festival and School, having studied closely with Graham Johnson, Alan Smith, Jonathan Feldman, and Andrew Harley. She has also worked as a collaborative pianist at several other renowned summer music festivals, such as Ecoles D’Art Americaines de Fontainbleau, Banff International Music Festival.


Kang appeared at various master-classes led by internationally recognized musicians such as Bruno Rigutto, Craig Rutenberg, Dominique Merlet, Graham Johnson, Gyorgy Sandor, Marilyn Horne, Jonathan Feldman, Margo Gerret, Lucy Shelton, Philipp Entremont, and Thomas Hampson. ​Kang received a Master of Music (MM) as a full scholarship student from Eastman School of Music, where she studied collaborative piano and chamber music with Dr. Jean Barr. She completed a Doctor of Musical Arts (DMA) in collaborative piano with a full scholarship and Kraeuter Musical Foundation Award from Manhattan School of Music under the tutelage of Dr. Heasook Rhee.


Min Young recently completed a Collaborative Piano Fellowship at the Yale School of Music, where she worked with instrumental students in recitals, lessons, and master classes, while also providing rehearsal coaching. She is a current staff pianist at Mannes School of Music in NYC.

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